Radio grew into a major industry, with a profound influence on the culture and social mores. Although it was later to be eclipsed by television, it continues to this day to be one of the major forms of entertainment, with the average American listening to approximately three hours of radio per day.

Radio stations generate positive values to listeners, as evidenced by the willingness of listeners to spend several hours each day listening to radio even though they have to put up with advertising. Advertisers pay for the right to place their advertisements in radio programming, generating the revenues upon which private radio stations depend for their existence.

We have already discussed the two possible impacts that radio might have substitution and exposure. It is likely that both effects are at work at any one time. The relative strength of each, however, determines the overall impact of radio on record sales.

The prevailing view is that radio play enhances the market for prerecorded music. Much of this view can be traced to the fact that firms in the recording industry carefully cultivate their relationship with radio broadcasters to make sure that radio stations play their recordings. Often, this cultivation crosses over into what is known as “payola”, a pejorative term indicating that record companies are paying radio stations, station programmers, or disc-jockeys to pay particular recordings.

As we shall see, the recording industry underwent a devastating decline shortly after the advent of radio. Even some commentators who assign the cause of the recording industry’s decline to radio’s emergence believe that the major impact of radio on record sales changed from substitution to exposure, and that radio now enhances the sales of recordings. For example, according to the BBC website, The record industry had spent the first twenty years of the century convincing the public that they needed a source of music in the home but they didn’t foresee the possibility that it may be free. Unfortunately, The Radio Corporation of America (RCA) had by the early 1920s started mass-producing commercial radios which, while acoustically inferior, offered a far wider range of news, drama and music. The record companies retaliated by drawing up contracts for their major artists, forbidding them to work for this rival medium. This move to limit radio’s output was doomed to failure as new vacuum tube amplification rapidly improved reception and sound quality. Record sales plummeted.

In recording we should compare musical instruments to get what is best, but in industry we need more actions than just comparing.

They are very reluctant to pay for it (most never having bought a CD) and a large majority (8/10) downloading it illegally from file sharing sites. Legal ways to get free music that teenagers use are to listen to the radio, watch music TV channels (not very popular, as these usually play music at certain times, which is not always when teenagers are watching) and use music streaming websites (as I mentioned previously).

Almost all teenagers like to have a ‘hard copy’ of the song (a file of the song that they can keep on their computer and use at will) so that they can transfer it to portable music players and share it with friends.

How teenagers play their music while on the go varies, and usually dependent on wealth –with teenagers from higher income families using iPods and those from lower income families using mobile phones. Some teenagers use both to listen to music, and there are always exceptions to the rule. A number of people use the music service iTunes (usually in conjunction with iPods) to acquire their music (legally) but again this is unpopular with many teenagers because of the ‘high price’ (79p per song). Some teenagers use a combination of sources to obtain music, because sometimes the sound quality is better on streaming sites but they cannot use these sites whilst offline, so they would download a song then listen to it on music streaming sites (separate from the file).

Sometimes, watching live music is the best experiences for teenagers. They are willing to get US AIRWAYS CENTER TICKETS, Comfort Dental Amphitheatre TICKETS, COORS FIELD TICKETS to experience live musics and sports.

In the early days of TV, stations were just on the air a couple of hours a week and many of us referred to it as “radio with pictures.” that could be a good outline of BVOV-TV. While BVOV Radio re-broadcasts EMIC services, BVOV-TV only transmits them as they are happening. BVOV-TV needs Windows Media Player to observe. BVOV-TV should not be confused with our Study Center Webcasts of the daily and Sun. Believers’ Voice of Victory programs which are available “on-demand” anytime for your convenience

From watching the Believer’s Voice of Victory broadcast to listening to BVOV Radio, and from enjoying KCM conferences online to downloading our ministry mag, you are certain to find lots of video, audio and print resources at your fingertips.

With your tight schedule under consideration, we provide convenient, 24-hour online viewing of all our Sun. and daily Believer’s Voice of Victory broadcasts. So, tune in to these exciting programs thru webcast.

These Word-based teachings will build your religion and transform your life!

Select your format of choice below, and view the BVOV broadcasts in streaming video or downloadable versions.

Have a question about the Believer’s Voice of Victory broadcast with Kenneth and Gloria Copeland? Need to attend a taping or order faith-focused resources you saw on a broadcast? Below are the most FAQs our ministry receives concerning this Christian television program. If you’ve got a question not answered here, don’t hesitate to contact your nearest KCM office for direct assistance. We’re here for you!

About Kenneth Copeland

Kenneth and Gloria have learned the principle of connecting to God in faith. By the Lord’s blessing, they have taught their children, grandchildren and Partners the world over the power of connecting with God and His Word every day in every way in their life, making for a great heritage and legacy.
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In radio entertainment, the more happenings planned brings more listeners to your digital bandwidth. Continuous promotions on and off air are needed for a strenuous influx of new and existing radio participants, and since airings deal with the live aspect, taking care of promotion off air is also essential for keeping listeners in tune with your music and activity flow.

Just like in any type of business, radio stints off air also require a planned execution of printing marketing materials. The innovative ideas matched with your station’s repertoire, to get ahead of your competitors is easy and capturing a following will happen eventually.

1. Personal greetings: Executing postcard marketing campaigns can do wonders. For a radio station, this approach is quite unconventional, but sending out personal invites for upcoming shows on various seasons will gain you attendees if promoted continuously.
2. Freebies and incentives: Dealing with music companies to give out music memorabilia or items fans can enjoy keeps listeners in tune. Hosting competitions gets new participants and keeps the regular listeners more reasons to be involved.
3. Radio catalog: Providing listeners with a magazine-type of material for extra added literature and new topics music-related builds a community for your business. You can also conduct interviews, delegate photo shoots, lyrics, the newest music games, or simple music lessons. A reference material helps in getting listeners reminded of the station that provided them with the information. An online printing company can help in conceptualizing the layout of your catalog for they provide an expert design team for clients.

As live as your radio station is, keeping promotions at the same pace off air will generate two worlds of music and entertainment that raises profit.

In the “golden days,” the hosts of major-market talk radio shows used to bring authors into the studio for long chats. An author could just knock off a couple of those interviews and sales would instantly hit “turbo.”

Sadly, those days are gone. Unless an author is a truly big name nowadays, the chances of hitting pay-dirt with just a couple of big radio interviews are history.

The reasons are two-fold.

First, there just aren’t as many talk shows with a format for guests as there used to be. Secondly, the amount of “per-guest interview time” has shrunk. Blame the research: Researchers found that listeners are more likely to stay tuned if there are three 10-minute guests on a show instead of just one 30 minute guest.

When it comes to talk radio public relations, quantity still rules. Think about it. There are thousands of radio stations out there, many just 1,000 watts or so and without a big-name host. But that certainly doesn’t mean you should thumb your nose at them.

Look at it this way. If a 1000-watt radio station had, say, only 100 listeners, you’d probably think it wasn’t worth the trouble, right? But what if you could go to an auditorium and talk to 100 people about your book, would you go? Of course you would.

See the contradiction here?

So decide not to pass up an interview, whether big or small. You’ll be building lots of selling momentum, and something else, too.

Practice in the “Minors” Before You Step Up to the “Majors.”

A rookie baseball player doesn’t throw his first pitch against the New York Yankees, does he? Of course not, and the same applies to radio.

It takes approximately 10 to 12 radio interviews before most authors are comfortable behind the microphone. So it’s far better to make your first inevitable mistakes on a smaller stage than a bigger one, and that’s where the little stations come in. Small talk radio stations let you practice becoming a great guest.

Having a large number of interviews under your belt will definitely give you experience. You’ll be able to crystallize your thoughts on your book better, get your presentation down to a few succinct words: sound like a pro instead of a floundering amateur.

Typical errors for first time guests include not giving out their website address or the title of their book, or not mentioning it frequently enough. It’s also a mistake to mention these too often and upset the host, who will let you know that the show is not an infomercial.

Technical authors have a tendency to slide into techno-babble, and even good guests inevitably walk out of their first few interviews knowing they could have done better. When first-time authors make these mistake (and they will), it is best if huge audiences don’t hear their error.

Sure, there can be pitfalls with smaller stations. Be prepared to run into some hosts who are unprofessional, and make sure you confirm an interview at least twice before you’re scheduled to be on the air.

And, nothing can save you from the 500 watt or 1,000 watt radio station in Peoria that’s hosted by a kid right out of broadcast school, so be ready for what an unprofessional host will throw at you. Many hosts won’t be as prepared as their big-league counterparts (translated: they probably won’t read your book), so you may have to walk them through the major points of your topic.

Prepare for these interviews as though you have just met someone on the street for the first time and you’re telling them about your book. If the hosts aren’t as prepared as they should be, you still need to be on your toes. Very bright people listen to some very small radio stations; so don’t ever talk down to your audience.

The bottom-line here is that small-station interviews not only can generate sales, they can prepare you for the big time.

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The music that you can access will be dependent on the channels that use. These will be from different countries and in different languages. Online radio is a great way to find new music groups that have just launched their careers off. By listening to these groups on the internet you can decide if you want to buy any CDs of these groups. You can also choose the different online radio channels that will provide you with the best features for music listening.

The choice to listen to online radio will therefore fall into the category that you choose. With these choices you will find that you can listen to a wide range of subject matter and music. The content of these internet radio stations will differ only by what is set by that online radio provider.

As technology advances you will find that you have many choices to listen to with online radio. At present the better known online radio stations are ones that we are all familiar with. These are ones like AOL Radio, MSN Radio, Yahoo Radio, XM Radio and many others. Most of the time when you listen to radio online stations you can tune into radio stations from other places too.

So while most of us prefer to listen to radio online stations which provide only local area news, entertainment and sports there are many who like to explore other venues of listening pleasure. For these people the internet and their computer’s music settings will provide the necessary link.

In a time when technology is always advancing people still look for the simple pleasures in life. And listening to online radio programs is one such way. While you will need to go on the internet to get the music, you can still lots of great entertainment programs to be found. So why don’t you turn on the computer and hunt for your favorite online radio station and let the sound of music fill your home.

The effectiveness of the online radio cannot be under-rated as they bring live programs. Various radio programs such as cricket commentary and other entertaining programs are broadcasted by radio channels from time to time. These programs are aired by many free live radio stations. Users just need to make good use of the websites to listen to live radio.

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